Showing posts with label Alan Seeger. Show all posts
Showing posts with label Alan Seeger. Show all posts

Climbing


It's a meditative month for me.  This short memoir piece first appeared in 559 Quarterly, which was edited by  my late friend Alan Seeger.  

Climbing
Carla Sarett
I was ten years old when I spent my first summer at "sleep-away" camp.  It was located in the heart of Maine's lake district, far from the rocky Atlantic coast and islands; although like most children, I lacked the curiosity to wonder what the rest of Maine looked like.  I was a collector of rocks and minerals; and mountains, islands, and the world's oceans had not yet become special.  In hindsight, I shudder at how much it cost my parents to send me there—we were not rich, and my mother and father must have swapped their vacation for mine.  I suppose that they were trying to bring me "out of my shell," as though there were another me, locked inside the shy one. 
The summer's highlight was an overnight camping trip.  The younger campers were assigned to climb one of the small mountains which, like dozens of mountains across the Eastern Seaboard, was named Mount Blue.  Next year, we were promised that we, too, could climb Mount Katahdin, Maine's highest peak—only if we mastered the basics, and only if we wanted to.   
The camp bus deposited us at the trailhead, and the counselors helped us load our gear – canteens, sleeping bags, heavy woolen socks, and so on.  The counselors (college kids, mostly) did the navigating —and we (girls, all of us) followed a single line up, down and around the switchbacks whose steepness surprised me.  I was a suburban kid, unfamiliar with trails, and I lacked real hiking shoes—an oversight of my mother's (who saw camping as a form of torture.)         
I'd never thought of myself as a much of a whiner, but from the get-go, I found the load of my backpack intolerable, and the steep ascent an ordeal.  I slogged along, behind the very last camp counselor, trying to bite back my tears.  My neck hurt, my skinny legs ached, and the other girls seemed to be scampering ahead, whistling, singing camp songs and joking with one another—and before I knew it, they were out of sight.  Finally, I gave up and sat down on a rock, defeated. 
“I can’t,” I told the strapping male counselor, “I just can’t go anymore.”
He laughed and removed my backpack, and lifted me up as if I were weightless.  Worse, he carried me on his shoulders for most of the hike.  Now everyone knew that I was weak—it was not news to me, but I'd been trying so hard to pretend all summer long.  I had failed to be, even for one day, someone else: a girl who was strong, who fit in, a girl who took life easily.
I wanted (but lacked the audacity to say it) to admire the dense green moss, plush as velvet, that covered the boulders; and the spidery lichen that dangled from the old trees, in fantastical fashion; the pine-covered surfaces, the tall lacy ferns that made miniature forests of their own. And the blue green of the trees, yes, it was a dark blue mountain with a dark blue lake. And there we were, rushing through it, faster than my legs could manage – and all so that we could end up at an ordinary ugly campfire, eat half-burnt hot dogs, toast marshmallows on sticks and fight off the invading armies of mosquitoes.  My arms and legs were covered with bites, everyone smelled of Deet, and after the fire died, the ground underneath felt cold and damp.   
I knew why we had hurried up the mountain.  We had to set up camp before sundown, and counselors were only being responsible and grown-up. I didn't blame them, but I felt vaguely cheated of unknown pleasures, of the sense of the unknown.
After we crawled into our tents, I was restless, wide-awake.  While it was still pitch black, I got up and wandered outside.  The night air smelled of pines, the sky was bright with a million twinkling stars—and I could make out the Big Dipper, Orion, and all the constellations I loved. There were sounds of wind and birds, and none of people.
I stood there, thrilled at the vastness, and then a huge brown moose approached.  He stood only inches from me, with his majestic antlers.  A real moose. The moose is the official state animal of Maine, but (so I had read) sightings were rare, and usually they occur from a great distance.  I was hardly a brave kid –terrified of loud noises, school bullies, even flying baseballs scared me – but I felt safe with the moose.  We eyed one another, like old friends who shared a secret. Both of us strangers at the campsite in different ways. 
And after a few seconds – it could not have been much more—the moose left me, and I felt unreasonably happy.  I knew that other girls were stronger, climbed faster, but I would never trade places with them:  only I had faced the moose. I saw him because I was alone. It could not have happened otherwise.
Strange how we get to know ourselves – in lightning quick flashes, shards of life.  I did not tell anyone about the moose, or the shining stars, or how very beautiful the night can be. I wanted to keep my joy to myself. Not out of shyness or loneliness, as my parents feared, or not exactly.  I knew then that I was miserly about my inner life – I had a stubborn, solitary streak, and it was not a shell, and I would never shed it.
I returned to my itchy sleeping bag and smiled all night long.  Next year, I thought, I'll climb Katahdin. 

Bites from 13 Bites, Vol. 3


For our final Halloween Fright Reads, news from editor, Alan Seeger about his latest horror anthology.  (I participated in 13 BITES: VOLUME 1.)

The 13 BITES series began as an idea that I presented in a Facebook group in 2013, asking if anyone would be interested in doing a short story anthology; the response was so overwhelming, I decided to do it every year.  So 13 BITES Volume III, the third in the annual horror anthology.


A few nibbles from the bites from this year's installment:



The man was still there, as still as a statue. And so was the body.
-- THE NAIL IN THE COFFIN, Sarah Brett


“I’m not here to bargain,” she snapped at him. “A potion comes with five years, not a day more.”
-- FINE DINING, J. A. Clark


“You kind of do, but the tour is very informative, I highly recommended it, and here’s a little welcome present to help calm your nerves...” Satan made a popsicle appear as if by sleight of hand, and handed it to Danny.
-- DANNY’S INFERNO, Joseph Picard


The fresher the corpse the better, he reasoned; it would look more natural, and bits were less likely to fall off it.   
-- DANSE MACABRE, Tabitha Ormiston-Smith


There in front of him lay Alice. She was still alive, but not for long.
-- THE EVIL DEED, Bruno Santos


“Chimpanzees,” Neil corrected him. “If they were from Earth they would be closer to chimpanzees.”
-- ORANGE AND RED AND REDDISH ORANGE, Thomas Hansen
At that precise instant the sky seemed to kiss the earth, reducing the man’s field of vision to a single purple-black flash of light. Time passed – minutes, possibly hours, the man could not tell which.
-- ONE MAN’S ONE YEARS’ NEW YORK TIMES, Luke Jon Isbrecht


A person can only take sitting in an uncomfortable chair for so long before he or she begins to look for somewhere else to sit, and sit she did; she sat on practically every guy they knew.   
-- THE KILL KIT, Alan Seeger



Maybe if I hadn’t stopped for gas on the way, or remembered to switch off my cell phone, or even make sure I had locked the boot of the car, would have been a good start.
-- STACEY WALLBECKER, Gregg Cunningham

The Art Collection and other books are free on Kindle from August 10 to the 12th

Summer promotion:

All of the books listed here are free on Kindle for the next few days.  Among them, you can find my last short-format book, THE ART COLLECTION, which contains three stories (about art) that are tinged with the magical and the surreal-- one set in the Northern Catskills, and two set in my neck of the woods, the Main Line of Philadelphia.

You can also download SUMMER DREAMS for free, where my story, "Stranger in Paradise" appears. That one's a bit of a departure for me (with a happy ending)-- but readers found it "spooky" and "entertaining."  Hope you'll download it -- and also give these other authors a chance, too.     

How to Make Ebooks Visual: Alan Seeger

Today’s guest post is with writer and editor Alan Seeger. I’ve had the pleasure of working with Alan on two short story anthologies, 13 Bites and, now, Summer Dreams.


First, here’s some background on Alan:
Science-fiction author and editor Alan Seeger was born in San Francisco and grew up in Oklahoma. In his teens, he began making music, which became his focus for the next thirty years or so. But writing was never far from his heart, and in 2013, he published a collection of short stories Lucid Dreaming and the first two novels in his Gatespace Trilogy, Pinball and Replay. He resides on the Rosebud Indian Reservation in South Dakota.


In Summer Dreams, you decided to make the book, including the Kindle Book, “visual” by adding images for each story. What was the impetus for this decision?
It began when a couple of the contributors included “dingbat” style images with their stories as icons to separate different sections of their stories. I debated as to whether to leave them in, but then it occurred to me to see if I couldn’t find something to use for each of the stories.  The thing that ties the stories together is that they deal with events that take place during the summer season, yet they are all quite different -- none of them are about lying on the sand at a California beach, I’ll tell you that -- and so one story has the silhouette of a woman swimming, one has bats -- yeah, bats, no, this isn’t the Halloween anthology… one has an old pickup truck… well, you’ll just have to read it, won’t you?

image size was standardized to 1.5 in
Of the two authors who included decorative elements, one used images inserted into her document and one used characters from a font. When I did a test run, I found that Kindle recognized the images but converted the font-based character into whatever font it used for the rest of the document, so instead of the bat, for example, you might have a letter Q or V. I decided to go into my image program and create an image of that character, and use that (instead of the font-based character. )


One side effect: I realized that I could dissect the title of the book from the layered Photoshop version of the cover (shown to the right), and use that on the Title Page. This takes the words "Summer Dreams" and puts ripples into it so it looks as if it’s in the water… the background is swirly swimming pool water. I took that swirly title and placed it on the title page, changed it to black and white. It looks really sharp, in my opinion. 


So many Kindle books look (to my mind) unattractive compared to the books that I used to read, which had illustrations and book borders.  Will we ever return to visually appealing books?
I hope so. I mean, it’s still possible to publish things as a PDF file, which was how I published Metaverse Messenger, an online newspaper covering events in virtual worlds (e.g., Second Life) from 2005-2009.
Kindle publishing, though, raises problems such as screen size vs. document size and so on. Different e-readers, even different Kindles (original Kindle, DX, Paperwhite, Kindle Fire) have different sized screens, pixel-wise, and different amounts of text can fit on them. That complicates things any time you want to dress up your book and make it pretty.  But people are starting to get the hang of what it takes to make Kindle and other e-readers display things the way we want them to be seen.


Learn about Alan's writing at www.alanseeger.net.

His editing services are available at  www.five59.com
Facebook www.facebook.com/Five59 
Twitter as @Pinballwizard59.

Summer Dreams: Short Story Anthology to Support Children's Literacy

I'm delighted to be part of another short story anthology, edited by Alan Seeger, whose net profits (that is, every single penny that doesn't go to Amazon) will support children's literary projects. Our previous effort, 13 Bites, is available on Amazon.

This go-around, the topic was summer.  Suffice it to say that no writer offered a merry tale of a kids' summer camp or a funny family road trip.  Thoughts were darker or ( in this writer's case) spiritual.  My story, Stranger in Paradise, appears here -- and it's a story of unexpected redemption.

Monday, we'll be hearing from the editor, Alan Seeger about putting the book together-- and how he introduced visual elements into a plain old e-book.

You can purchase the book on Amazon Summer Dreams

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