Showing posts with label romantic comedy. Show all posts
Showing posts with label romantic comedy. Show all posts

"You Can't Hurry Love" by Carla Sarett

      Middle-of-the-road, that was Georgie Wicker— or that is how she seemed, before her marriage. Georgie avoided arguments about class warfare, feminism, distant wars, or climate change.  She didn’t have violent opinions.  As for glamour, well, that was a lost cause. Men didn’t notice women like Georgie, and why should they? So it had been of a shock when her boss, Logan Button, asked her to dinner “if you’re not busy,” he had said.

     It was his newspaper – a sleepy family business in Philadelphia’s suburbs—and he was new to the role of Publisher.  Logan at thirty seemed to working on forty--a Yale umbrella, a copy of the Wall Street Journal, a prep school ring. Every morning, he drove to the office through a strange series of turns, when a shorter, direct route was available. He claimed that he was avoiding traffic.     
     For the date, Georgie chose a droopy, flowered rayon dress—and to dress it up, matching navy-blue handbag and out-of-style pumps.  All around were skin-tight jeans, gauzy shirts, clunky jewelry, and glossy lips that looked slick with desire, men like Logan in colored polo shirts, khakis and boating shoes.   She looked like somebody’s mother.
She inspected the menu and noted the price of each entree.  The salmon had the virtue of falling in the middle of the menu’s price range, below the ever-present Chilean Sea Bass, but above the lowly boneless chicken breast. It was, she reasoned, best not to order too high or too low on a date—the middle was where she belonged.
     “Salmon, I think,” she declared, almost fiercely.   
     “That’s a safe choice,” said Logan.  He waved to the waiter – two salmons, he said, and ordered a fifty dollar bottle of wine—which was, she thought, insanely over-priced.  
     “I hardly ever drink,” she said, in case anyone got the wrong idea, most of all Logan.  
     “That’s fine.  You don’t have to drink, Georgiana,” said Logan, smiling.
     “Georgie,” she corrected him.  “I’ve always been a Georgie.  Georgiana’s too grand a name for me.  What were my parents thinking?’
     “Georgie it is then,” he conceded, and then, he didn’t talk about business at all.
     There was a local concert, a play in the city, and then Georgie started spending nights in Logan’s big stone house.       His house bore the marks of an interior decorator—large ungainly earthenware, painted furniture, and quirkily mismatched chairs. One thing stood out, though.  Logan collected clocks—tall Philadelphia grandfather clocks, porcelain library clocks, bronzes adorned with sweet figurines, silver deco clocks, childlike wooden cuckoo clocks, and pocket watches of gold and silver.  The rooms ticked and clanged and hummed, as if the house were manufacturing time.    
     "He must be waiting for Miss Right," she told a good friend, with hard-edged realism that verged, as if often does, on pessimism.  "I'm the in-between girlfriend phase. He's practicing for the quality woman, the Ivy League type who plays golf.  I’m not in his league."
     "Well," said the friend uncertainly. "You’re a good person, which is all that should matter, if men weren’t so shallow.  Not that Logan, per se, is shallow.”
     “He’s not,” said Georgie.
     "Georgie, you could learn to play golf if you wanted to.”
     “I hate golf,” Georgie confessed.
     On Sundays, Logan went to church, and since Georgie spent weekends with him, it was natural for him to invite her.  She almost refused, but atheism seemed perilously close other “isms,” and too radical a statement.  The church was a congregation of bow-tied men with wing-tipped shoes, and women in pale cardigans. Logan did not hold her hand, but everyone stared, just the same.  They had little to distract them, since the young minister was rambling on about an upcoming local election, which no one cared about.
     "People think we're a couple," she said to Logan afterward, and he nodded.
     After that, he asked her to meet his parents.  She could follow his orderly train of thought, from flowered dresses to church to mother.  His parents lived in Bucks County, and it was a smooth autumn drive through colored woods, and shocking blazes of red and yellow. Logan's family house was white, with black shutters, and a proud front porch like a Norman Rockwell painting.
     "Georgie," said Mrs. Button who had her son’s pale, waxy complexion.  "Make yourself at home.  We want you to feel part of the family."
     Logan put his arm around Georgie, and said, "Georgie is going to be part of our family."
     Georgie said, through gritted teeth, "This is news to me."
     "Oh, women," Logan said, as though she were being coquettish.  
     “Women,” said Mr. Button, winking.
     Logan slid a ring on her finger—a family heirloom, from the looks of it.  Her shoulders caved in and her legs felt wobbly.
     "You’re overwhelmed," said Mrs. Button, with crinkly, teary delight.  She patted a chair cushion beside her, "Here, sit down. Logan thinks a spring wedding would be nice."
     Georgie sipped a glass of iced water, as she heard the proposal, which by all rights should have come from Logan—but for some odd reason was coming from Mrs. Button, who smelled of too-strong gardenia or was it lily of the valley?    
     “Maybe July,” said Georgie, toying with her ring.  
     Logan and Georgie consulted with the church’s minister. "I didn’t grow up with much religion.  Is it a sin to marry without love?" she asked, turning her back to Logan.
     The minister decided to treat this as an academic question.  "Strictly speaking, no – the West has a long and honored tradition of arranged marriage, although that’s not the current fashion, is it?” he asked, with a self-conscious titter.  “But history suggests that arranged marriages often were quite happy, and fruitful. In many countries, the tradition continues. Marriage takes a lifetime.  You have all the time in the world.”
     “So does Logan,” she said.  “He has lots of time, too.”
     “That is what I meant,” said the confused minister.
     Georgie managed wedding-planning like a business—smoothly and efficiently. Logan was footing the bill, but she watched every penny like an accountant.  She bought a serviceable, if not altogether flattering, white dress at David’s Bridal.  The wedding party was to be held at a local hotel, near the church that Logan (and now Georgie) attended.
     During her wedding vows, Georgie pictured a planet of married people, white picket fences, rose gardens, pink-faced children, and billions of inscrutable husbands like Logan. Afterward, there were cheerful, tearful toasts and too-sweet cake and an awful melancholy fell over the room.  She and Logan waltzed alone as man and wife. Over Logan’s shoulder, she tried to make out faces of people she knew, a friend’s face….someone. As Logan spun her around, he whispered, "My poor Georgie.”
     Georgie said, loudly and angrily, “I am not your Georgie. And I’m not poor.”
     Everyone heard her.
     Logan stood there, paralyzed.  He could not think of a come-back.  And in the awful moment that Logan paused, the room went black—there was a thunderstorm, a momentary power outage. Logan felt Georgie’s grip loosen, and saw the shape of her leaving. When the lights came back, Logan stood alone.  Everyone stared as he marched stiffly back to his table.
     “Where’s the bride?” joked Georgie’s mother, on her tenth drink. “It’s a little early to lose your wife.  It usually takes a while, doesn’t it? ”
     The long evening wore on.  Logan’s excuses became lamer and more convoluted until he gave up.  No one believed him anyway. Afterward, Logan walked into the dark, empty hotel suite.  Georgie had left a note: Don’t wait for me, G. and left behind the two airplane tickets for what might have a honeymoon.
     In theory, public sentiment is against divorce – but in practice, it adds a bit of spice to the everyday-ness of life, and increases the supply of available men. Everyone expected, even hoped, that Logan would quickly file for divorce.      A clear case of desertion, and if one wanted to be technical, an unconsummated marriage, although that was a technicality, to be sure.  As far as future wives went, there were plenty of perfectly good replacements—a virtual bridal pipeline, not even counting e-harmony.  But Logan disappointed them. As for Georgie, she stayed away –but signed her name as Georgie Button, even after she settled in Rome of all places.  Logan even boasted of her success.   “I was always sure about her,” he said, which was a bizarre certainty, all things considered.
     
     Five years passed before Logan flew to Rome.  Man and wife arranged to meet at Georgie’s office after a cryptic flurry of text messages. Georgie’s office was glassy, modern, decorated with posters of Italian films.  Logan looked much the same, but Georgie had turned chic, in a cashmere sweater, black pencil skirt, her now-short hair streaked with coppery red.
     She flecked some snowflakes that had settled on Logan’s collar.  “No one expects snow in Rome,” she said.  “I hope you’re not disappointed.”
     “I’m not here for the weather,” he said, and added, “Your hair’s…different.”
     “You mean, less mousy,” she said.
     Logan said, “What was wrong with it before? You looked appropriate.”
     “Appropriate,” she said drily. “No wonder you weren’t head over heels.”
     Logan protested, “I thought we got along fine.”
     “We did get along and actually we still do,” said Georgie.  “Logan, if you came for a divorce, that’s fine. That’s why you are here, no?”
     “No,” he said.  “Divorces are easy these days—probably you can email them.  I wanted to give you a present.  Unless you’d prefer a divorce—although you can have both. It’s up to you.”
     Georgie shook her head and looked down.  “Just the present,” she murmured.
Logan slowly unwrapped a package, and revealed an eighteenth-century rococo clock, of bronze and marble.  On the top was a young man playing pipes, and young woman strumming a lyre, and the base was a frieze of tiny curly-haired Cupids.  But it was the two figures that held Georgie’s attention.  They looked in opposite directions, ignoring the gorgeous ornate dial in the center.
     “Thank you,” she said after a long while.  “This probably cost a fortune and I didn’t get a Christmas present for you.”
     “It’s not for Christmas,” he said and seeing her confusion, “You never got a proper proposal. You should at least get a wedding present.”
     Georgie stroked the top of the brass lyre, brushing each delicate string—and she remembered Logan’s house, clicking and ticking with all of its gorgeous machinery. She had lain awake in the night, listening to all of it, marveling how the bells united on the hour, although separated by the speed of sound and the imperfections of their maker.
     They parted without a kiss good-bye.  
     That night was a full moon.  At midnight, Georgie heart the musical clang of the clock, then it chimed perfectly again, on every hour.  In the morning, she rose with the winter sun, but with the steady rhythm of the clock supporting her.  The clock worked according to its own design – one that was long forgotten--but that was the point, wasn’t it?
     Logan showed up the next morning, early enough to catch Georgie’s first cup of coffee.  In her robe, she waved him in, casually, poured him hot coffee, two sugars, and handed it without comment.  They eyed one another warily, over the white rims of the cups. Georgie pushed a plate of butter cookies toward him—which, ironically, were known as wedding cookies.  It was the couple’s first official breakfast, as man and wife.  The coffee was stronger than he remembered.
     “I hope I’m not interrupting,” he said.  
     “If you were, it would be rude to say so,” Georgie replied.  “But no, I’m alone if that’s what you’re asking.” 
     Logan said, “It is part of what I’m asking.” He reached across the table for her hand, the one that still wore the ring—she did not withdraw it.
     “What a mess we’ve made,” she said.
     “No,” he said. “The vow says promise to love. It’s a vow for the future, Georgiana.”
     She felt herself blushing.  “You called me Georgiana.”
     “Yes, Georgie’s too ordinary a name for you.  To me, you’re always Georgiana.”
     “You might have told me before, Logan, and saved us all this trouble.”
     “You left rather hastily.  But if I may, I’d like to call you Georgiana from now on. If you’re willing.”
     “What a silly question,” she said, and returned to her coffee.  
     Their second wedding (a “renewal of vows”) took place in the spring.  Not everyone in town was pleased.  It was only human nature to hope for a spark of unanticipated mischief, another stormy outburst from the woman who was now Georgiana.  But the ceremony went off without a hitch.  As for the minister, well, he knew that Logan and Georgiana had only one lifetime to fall in love -- and he imagined that, with such a sluggish start, they were in an awful hurry.

originally printed in the October issue Page and Spine

You Can't Hurry Love, in Page and Spine

Been a while since I dabbled in matters romantic, but the subject's never far from my writerly imagination.  In this tedious campaign season, it seems more important than ever to celebrate love.  

For readers who enjoyed my story collection, STRANGE COURTSHIPS; NINE ROMANTIC STORIES, here is a new story, published in the online journal Page and Spine.  It's called "You Can't Hurry Love," and you can find it below:  

http://pagespineficshowcase.com/the-reading-lamp/you-cant-hurry-love-carla-sarett

Interview with Jane L. Rosen, author NINE WOMEN, ONE DRESS

Today’s interview is with  authoress, Jane L. Rosen.  I gobbled up her delightful and funny new novel, NINE WOMEN, ONE DRESS (and already several of my friends are doing likewise.)  It’s a novel in which nine women, as per the title, are linked through one perfect “little black dress.”  


A few words about her:
JANE L. ROSEN is an author and Huffington Post contributor. She lives in New York City and Fire Island with her husband and three daughters. She is the author of a young adult novel, The Thread, which she self-published. In addition to her writing, she is the cofounder of It's All Gravy, a web and app-based gifting company.


NINE WOMEN, ONE DRESS has a lovely backstory involving the dress-maker, and his journey from Poland.  My Polish Jewish grandparents worked in the garment industry-- I’m wondering if yours did too, or was this pure fiction?  
Rosen: The backstory of Max and Dorothy Hammer is loosely based on a Great Aunt and Great Uncle of mine of Polish descent. In fact, every name used in Chapter One is from one of my relatives. I had family on both sides in the garment industry, mostly the coat market. I actually majored in fashion and textiles and worked in the coat market for my first five years out of college.


Your novel shows a respect for what style means in women’s lives, and how a dress can “make” a moment.  Are you stylish in real life?  Do you own a perfect little black dress?
Rosen: I have three grown daughters so between us there are a lot of outfit changes and the house can seem like a dressing room at Bloomingdale's! I do have a variety of great little black dresses and have been on the hunt for more of them ever since I got the fantastic news that my book was being published.


I loved the fact that NINE WOMEN, ONE DRESS offered so many different happy endings for such varied women. Do you think there’s a “literary” bias against happy endings?
Rosen: I do think so. But that being said, I don’t care. Life is hard enough, a good book with a happy ending is a nice escape from the problems of the real world!  There is no bigger thrill for me than when someone says I made them laugh.


NINE WOMEN, ONE DRESS has so many wonderful women.  Did you have a personal favorite among them?  Was there a story you wanted to pursue?
Rosen: I like all of the characters, with the exception of those not meant to be liked. My favorite characters are Ruthie, Tomás, and Natalie who all work in the dress department at Bloomingdale's.

There are lot of rules about what’s good writing and what’s bad.  Is there any writing rule that you secretly enjoy breaking?
Rosen: I enjoy breaking rules and I’m no different with my writing. I guess that’s where my fabulous editor Claudia Herr steps in, and my husband come to think of it! They both straighten things out for me when needed.


I’m always trying to discover new (or forgotten) writers.  Do you have suggestions for our readers looking for lighter stuff?
Rosen:  I always enjoy re-reading Philip Roth and Nora Ephron. Right now I have a paperback of The Knockoff co-written by Lucy Sykes and Jo Piazza in my beach bag.


Any new projects in the works that you’d like to share with our readers?
Rosen: Next up is the story of a spoiled but lovable Upper East Sider named Esmé Nash who spends one August squatting in her vacationing shrink’s apartment.

You can follow Jane at:


Blog


Twitter handle JANELROSEN1



Forget the Hollywood Effect: Guest Post by Georgina Ramsey

Georgina Ramsey lives in the North of England with her husband, son and numerous animals. She has been a teacher, and broke into the Indie market in 2013 with the release of ‘Love, Life & Cream Cakes!’ 

Here is what she contributes for Valentine's Month.

I asked my husband the other day what ‘romance’ meant to him.

His reply:  “Romance? Nah, it doesn’t really exist!”

I faltered.  It seemed that to him, romance was no different to a cheese and pickled onion sandwich! (The idea of which is quite appealing, but it requires a bit of effort to pull off, and there are easier options in the cupboard.)  Now, I could have taken his remark as an insult.  I might have concluded our cat arguably has more romance in his left paw – at least he bothers to bring me the occasional gift! But I didn’t feel dejected.   I decided that my husband is misinformed.

I blame the Hollywood Effect.  

My husband, by the way, hates romcom movies (he says they’re not “real life”) so I used to sit and watch them by myself, with a bar of chocolate and a nice cup of tea.  Now what’s the Hollywood version of romance?

Well, you shower your special someone with spectacular presents costing the Earth, a la ‘Pretty Woman.  You make a gesture that requires months of planning.  A flash mob, perhaps? If you combine the two you’ve scored! 

Patrick Dempsey’s hero in ‘Sweet Home Alabama’ whisks Reece Witherspoon’s heroine to Tiffany’s afterhours to pick any engagement ring she wants.  You find me a woman who did not swoon. I don’t fancy Patrick Dempsey, but with that kind of wooing I could be persuaded!  I worry that the Hollywood Effect has resulted in a chunk of the population feeling incapable of pulling off a romantic gesture.

Yes, there’s something magical about fantasies like Cinderella. I admit that one of my earlier novels (‘Sex, Lies & Corned Beef Pies!’) is a modern day Cinderella story.  But my latest romantic comedy, ‘When Love Feels Like A Pocket Full Of Snails,’ is a down to earth look at how couples fall for one another when their paths cross. And I fell for the lead male in this story good and proper when I was writing it!

Romance is about making that special someone feel just that – special. It might be a simple note, a morning selfie, a cuddle or a kiss goodnight. Do you know what? My husband does that each and every day. And when we’re out walking, he offers me his work coat, sometimes smelly.   I’d say the romance in my life is pretty perfect. 

When Love Feels Like A Pocket Full Of Snails! is available here’



More Valentines, Please!

Our romance author from time to time wishes to go to the movies.  She longs to enjoy a romantic escape, so to speak, from her humdrum existence.
She imagines watching the heroines of older years like Carole Lombard or Ingrid Bergman or Meg Ryan – by turns witty, lyrical and adorable.  She envisions the broad-shouldered heroes of Westerns and the sad-eyed men of noirs who swept her away, so long ago, when she was young and impressionable.   
Off to the modern cinema she goes – with Professor Jill Evans, now a confirmed romantic herself.  The two women find themselves baffled, with only their buttered popcorn to console them as they watch the new film, Fat Sloppy Men. 
Indeed, as the title promises, the movie features fat sloppy fellows who – apart from having no career prospects or ambitions – seem incapable of uttering a single interesting word, and content themselves with the occasional huh?  Bizarrely, these inarticulate heroes seem unwilling to commit themselves in normal ways.  They are overgrown children who hang around eating and drinking and indulging in recreational drugs—the Three Stooges, come to life as "romantic" leads.
The heroine – played by one of today’s tall beautiful blondes – is frustrated with these fat lazy fellows, but eventually resign herself to her pathetic fate.  After all, what else is there for her?  Decades ago, her chubby slacker might have been included in a script for comic effect – but now, he is the prize. 
The authoress and Jill walk home, with heavy hearts.  On their way, they bump into Prudence Wilcox—a star student in Jill’s seminar on post-feminist literary criticism.  Prudence is carrying a batch of DVDs to watch with her female friends.
“Are women resigned to lazy silly men?” Dr. Jill asks--she herself has a crush on Hugh Grant and wonders why he rarely graces the screen.
“Oh, not all women, just women in film,” Prudence reminds them.  “In real life, we hardly date anyway, so we’re not resigned to anyone, obviously.”
“What ever happened to men chasing after women?” the authoress asks.  "Sure some men do?"  
“That was the old patriarchy, I guess, or something,” says Prudence.  “I’m going home to watch Groundhog Day—now that was romantic!”
She shows the author and Jill some of her favorites—for even in this prosaic era, she has discovered a few films that were made for pleasure. Midnight in Paris, with its glowing views of Paris and its theme of love unexpected; Source Code whose heroine, played by Michele Monaghan, is the kind of enchanting woman that a man would risk all for—and whose sci-fi plot melds perfectly with themes of eternal love worthy of Groundhog Day; the sophisticated pairing of Angelina Jolie and Johnny Depp in The Tourist whose cool chemistry amidst the glories of Venice offers old-fashioned goose-bumps. 
“There are some good romances, but you have to sift through a lot of gross comedies to find them,” Prudence lets them know.  She leaves them with a copy of the film, Management.  “Take a look,” she says.
The two women again open a bottle of Cabernet and reflect upon life’s unfairness.  Dr. Jill wants to impress upon her friends that she does not discriminate against slackers.  “It’s unfair to judge a romantic lead because he’s fat or stupid or lazy.  That’s a throw-back to the old oppressive days.”    
“Being courted isn’t oppressive—it’s part of being in love,” the author argued.  “I think are some magical film-makers out there.  Take The Illusionist with Ed Norton and Jessica Biel – the hero loves her so much that he risks everything, he transcends time and space.”
Jill herself has watched The Illusionist more than once.  “But that was only a fantasy,” she says.
“Yes,” agrees our author.  “That’s exactly what a romance requires.”
The two settle into watching Management with Jennifer Aniston and Steve Zahn.  Yes, the man is a slacker and not movie-star handsome– but, like Woody, he falls for the girl at once, in this case, despite her indifference.  He chases her.  He wants her.  And when he wins her, the women find themselves unexpectedly moved.
“Love at last,” proclaims Dr. Jill.

“Better at last than never,” says our romance author. 

Showcasing Carla Sarett | The Musings of A New Englander

Today I have a guest post on fellow author Sharon William's Blog.  It asks the question:  Where Have All the Romantic Comedies Gone?  Thanks Sharon for allowing me to vent a little,-- and hope readers discover a few independent movies from my guest post.

Love Hurts Anthology: 21 Humorous Stories

Eric Borsage of Eric's Hysterics is releasing a new anthology of romantic comedies drawn from his ever-funny magazine, as well as new material.  I'm pleased that Eric has included my story, Career Girl (a sequel to that story, Bonny Lass, appears in Nine Romantic Stories.)  It was my first attempt at blending humor and comedy, and I've never recovered from the pleasure.

I'm looking forward to seeing the other stories in the anthology, which will be released before Valentine's Day on Amazon.  The cover's funny already.
 



Nine Romantic Stories-- will finally be published this week


I am so happy that the cover of the book reflects my romantic spirit-- thanks much to my patient husband, Paul Messaris, for designing such a totally feminine and art-nouveau inspired cover.  I hope the the old-fashioned look of it will help readers figure out that my stories are meant to entertain and charm. No vampires, no serial killers, no profanity, and definitely no graphical sex scenes-- just old-fashioned moonlight and magic, with some wit thrown in for good measure.


'via Blog this'


At the Movies

Our romance author from time to time wishes to go to the movies. She longs to enjoy a romantic escape, so to speak, from her humdrum existence.
She imagines watching the heroines of older years like Carole Lombard or Ingrid Bergman or Meg Ryan – by turns witty, lyrical and adorable. She envisions the broad-shouldered heroes of Westerns and the sad-eyed men of noirs who swept her away, so long ago, when she was young and impressionable.
Off to the modern cinema she goes – with Professor Jill Evans, now a confirmed romantic herself. The two women find themselves baffled, with only their buttered popcorn to console them as they watch the new film, Fat Sloppy Men.
Indeed, as the title promises, the movie features fat sloppy fellows who – apart from having no career prospects or ambitions – seem incapable of uttering a single interesting word, and content themselves with the occasional huh? Bizarrely, these inarticulate heroes seem unwilling to commit themselves in normal ways. They are overgrown children who hang around eating and drinking and indulging in recreational drugs—the Three Stooges, come to life as romantic leads.
The heroines – played by one of today’s tall beautiful blondes – is frustrated with these fat lazy fellows, but eventually resign herself to her pathetic fate. After all, what else is there for her? Decades ago, her chubby slacker might have been included in a script for comic effect – but now, he is the prize.
The authoress and Jill walk home, with heavy hearts. On their way, they bump into Prudence Wilcox—a star student in Jill’s seminar on post-feminist literary criticism. Prudence is carrying a batch of DVDs to watch with her female friends.
“Are women resigned to lazy silly men?” Dr. Jill asks--she herself has a crush on Hugh Grant and wonders why he rarely graces the screen.
“Oh, not all women, just women in film,” Prudence reminds them. “In real life, we hardly date anyway, so we’re not resigned to anyone, obviously.”
“Even Woody Allen chased Annie Hall, and he was charming, too—what happened to men chasing after women?” the authoress asks.
“That was the old patriarchy, I guess, or something,” says Prudence. “I’m going home to watch Groundhog Day—now that was romantic!”
She shows the author and Jill some of her favorites—for even in this prosaic era, she has discovered a few films that were made for pleasure. Woody Allen’s Midnight in Paris, with its glowing views of Paris and its theme of love unexpected; Source Code whose heroine, played by Michele Monaghan, is the kind of enchanting woman that a man would risk all for—and whose sci-fi plot melds perfectly with themes of eternal love worthy of Groundhog Day; the sophisticated pairing of Angelina Jolie and Johnny Depp in The Tourist whose cool chemistry amidst the glories of Venice offers old-fashioned goose-bumps.
“There are some good romance, but you have to sift through a lot of gross comedies to find them,” Prudence lets them know. She leaves them with a copy of the film, Management. “Take a look,” she says.
The two women again open a bottle of Cabernet and reflect upon life’s unfairness. Dr. Jill wants to impress upon her friends that she does not discriminate against slackers. “It’s unfair to judge a romantic lead because he’s fat or stupid or lazy. That’s a throw-back to the old oppressive days.”
“Being courted isn’t oppressive—it’s part of being in love,” the author argued. “I think are some magical film-makers out there. Take The Illusionist with Ed Norton and Jessica Biel – the hero loves her so much that he risks everything, he transcends time and space.”
Jill herself has watched The Illusionist more than once. “But that was a fantasy,” she says.
“Yes,” agrees our author. “That’s exactly what a romance requires.”
The two settle into watching Management with Jennifer Aniston and Steve Zahn. Yes, the man is a slacker and not movie-star handsome– but, like Woody, he falls for the girl at once, in this case, despite her indifference. He chases her. He wants her. And when he wins her, the women find themselves unexpectedly moved.
“Love at last,” proclaims Dr. Jill.
“Better at last than never,” says our romance author.
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