Showing posts with label Samantha Memi. Show all posts
Showing posts with label Samantha Memi. Show all posts

Christmas Reading Recommendations Off the Beaten Path from Author, Samantha Memi

Tired of the same old bestseller lists?  Our favorite flash fiction authoress from across the Pond, Ms.Samantha Memi, offers her idiosyncratic list for Christmas reading.  Personally, I can't wait to get started on these.
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Stocking fillers for Christmas Good Tidings and Joy to the World. These are books I recommend for literate people to have a wonderful Christmas, sitting round the Christmas tree, reading.



My favourite writer, Carmel Bird, brought My Hearts Are Your Hearts to our bookshops (what's left of them) in August 2015. Twenty exquisite stories about all sorts of things, like love and murder and all that sort of stuff.

Buy it here









Rohini Gupta comes from the land of Mahasweta Devi and Manjula Padmanabhan, and I think that tradition of lyricism and truth shines through in her work. Her writing has a simplicity and honesty that I find inspiring. The 24 stories in To Catch a Falling Star are an excellent showcase of her talent.

Buy it here









In Derek Pell’s Naked Lunch at Tiffany's we learn that the manoeuvres a curvaceous crane operator makes are rather too intimate for a blurb on a book cover. Such fascinating facts abound in this treasure of a book.  Buy it here















Vi Khi Nao’s Swans In Half-mourning take as its starting point The Six Swans by Hans Christian Anderson. She balances dexterously between poetry and storytelling, making this poetical story come alive in the telling. 

Buy it here







Brian Conn describes his novel, The Fixed Stars, as ‘…sort of experimental science fiction where people talk funny.’ 

What more could an intelligent reader want?

Buy it here






All in letters bound in string

And last we have this effort from Samantha Memi. 

Not something I would normally recommend but as I know her so well I feel duty bound to try to help her along. She's hoping someone will recognise All in letters bound in string as a worthwhile book to read, and who am I to shatter that delusion.

(Carla Sarett also agrees that it might be worthwhile to buy this.)

Offered though the Etsy website:  Click here 


   

April Foolishness: "To a caterpillar, on admiring my prize cabbage" by Samantha Memi

We begin our annual humor fest with a bit of silliness from one of our favorite flash fiction authoresses, Samantha Memi.  We've featured Samantha's work a few times, and always with a few belly-laughs.  

Samantha's latest collection of short fiction is entitled "All in letters bound in string" and it an be ordered directly from her website,   You may read an advance review of it here.

Enjoy and laugh.  Stay tuned for more April Foolishness.






To a caterpillar, on admiring my prize cabbage
by Samantha Memi


All a twirl, the curly leaf of green
'neath which ye crawl, so can nae be seen.
I know ye are there, ye malevolent being
For the leaf that was whole now has holes for the seeing.

Och, a God's creature ye are and deserve to be feeding
But the cabbage that's your dinner was one I've been breeding
To win the first prize in the Scottish Cabbage Show,
And to have something better than McGreggor the Low.

McGreggor the Low has won all the top prizes,
For his cabbages are treated to be enormous sizes,
And you, you little bastard, have given him the chance
To sneak a hoot in my direction at the Cabbage Show Dance.

I've yet to win a prize, though I know I'm the wiser,
For McGreggor the Low uses hormone fertilizer.
But this year I'd have done it for this cabbage was huge,
Or it was till ye ate it, ye mean larva of a Scrooge.

I'm all of a loss now to know what to do,
Och, killing is too good for the greedy likes of you,
I'll pickle ye in acid, or feed ye to the cat,

But whatever I do it will nae bring my cabbage back.

Valentine's Month: A MARRIAGE OF TRUE MINDS by Samantha Memi




Our Valentine's celebration continues, this time with the idea of the always interesting and very British flash fiction writer, Samantha Memi, whom we've interviewed on this blog. Samantha has a new collection, ALL IN LETTERS BOUND IN STRING-- 40 new pieces of microfiction, flash fiction, and short fiction, available for the first time in paperback.   Publication date is planned for April 2015.

You can order the book from Samantha's website:
http://www.samanthamemi.net/


In the meantime, enjoy this comic Valentine, reprinted here through the author's permission.  It's one of my favorite of her stories.


A marriage of true minds

                    by Samantha Memi
   

I put on my hat and my coat and my shoes. I knew something was missing but I couldn’t think what. When I looked in the mirror I saw what it was: my underwear. How silly of me. If I took off my coat I would be naked. That wouldn’t do at all.
I looked in my sock drawer; no underwear. I looked in my underwear drawer; only socks. I looked in all my drawers and could find no underwear. I knew I had some because I’d worn it before. Underwear was essential, especially for a girl like me going to a party where all kinds of special people were bound to be. By special people I mean men, particularly unmarried men. In fact only unmarried men. I wanted to get married, have a family and sit around the house all day watching daytime TV and eating chocolates. The only way I could do that was if my husband worked hard to keep me in hats, coats, shoes and underwear. But where could my underwear be.
There it was. When I looked out the window I saw it hanging on the line, drying in the sun. I hated drying my underwear in the dryer. It always got sparky with static. Once, when I put on a lacy bra, my nipples pinged out and surprised me. I mean that’s the sort of thing you want to happen when you’re in the company of a handsome young man and he pushes against you, and your thin summer dress and your thin summer bra make it quite clear what your nipples are doing, but it’s not the sort of thing you want to happen when you’re at home alone.
I went out to the garden. I said, —Hello garden, what a lovely day. The garden didn’t say anything because it’s just a garden, or if it did speak it did it in such a low whisper I couldn’t hear. I collected all my underwear from my washing line and brought it indoors. I would wear the white and beige matching bra and panties and suspender belt. I didn’t have any stockings. Was it silly to wear a suspender belt if I wasn’t going to wear stockings. I thought it probably was, but I wasn’t sure.
I phoned Maisie and she said, —Why aren’t you going to wear any stockings? so I said, —I don’t have any, and she said, —I’ll bring some over. Apparently Maisie has lots of stockings. I don’t know why, and I don’t know
why I have a suspender belt if I don’t have any stockings.
She brought two pairs; brown and black. I chose the brown, although
she said the black would be sexier. I didn’t want to seem like a whore. Then she left and I said, —Thank you, bye, and she said, —Have fun, and I waved as she drove away.
Then I went indoors and put on Maisie’s stockings. They felt really nice and I looked in the mirror. I definitely looked good but I still felt something was missing. I didn’t know what. I picked up my tiny tiny handbag and went out to the car.
As the engine started I looked down at my legs and realised I wasn’t wearing a dress. I switched off the engine and went back in the house. I had so many dresses; which would I choose. I wondered briefly why I had forgotten to put on a dress. Was it a subconscious desire to appear naked in public? I didn’t want a subconscious like that. What if I hadn’t noticed and I’d gone to the party. Then, when I took off my coat, everyone would have gasped and giggled and I’d’ve said, What? what’s wrong, and a kind person would whisper, You’re not wearing a dress, and I’d’ve had to leave the party, and even if I found my dress I’d still be too embarrassed to go back. I was glad I’d noticed the lack of adequate clothing.
After some deliberation I chose something red. I think it was modelled on a Hussein Chalayan creation, but I’d bought it from Zara, so it was cheap, or it might have come from a discount warehouse, I couldn’t remember. I went back to the car. Before I started the engine I made sure I had everything, hat, shoes, coat, underwear, dress. I didn’t have gloves. I started the engine. Should I wear gloves? Was it awfully faux pas to wear a hat but no gloves. Did it look sluttish? I’m sure Jacqueline Kennedy would never have worn a hat without gloves, nor would Princess Diana. I had to aspire to the best, not just accept that I wasn’t much to look at and my prospects of finding a handsome rich young man were negligible. I switched off the engine and went back in the house. I began to feel sorry for the engine. It must have been thinking, What’s happening, on off on off, when am I going to drive?
I found the perfect gloves that matched my hat, not so exactly that I looked like something from a magazine, but close enough to look stylish. I drove to the party.
Obviously I switched on the engine but I didn’t want to tell you that because I thought you must be sick and tired of hearing about my engine but then I thought you’d wonder how I drove my car without switching it on, I mean as I’d mentioned it before, why not this time, so I thought I’d just say it was switched on.
When I arrived the party was in full swing and most of the eligible bachelors had been picked up by eligible young ladies, and some not so young but pretending to be. As usual I would be left with the dregs. A very
nice young man came over and asked, —Have you just arrived?
—Yes, I said, —yes I have.
—So have I, he said, —I was a bit delayed. It’s really rather silly. I got into the car and started the engine and I realised I wasn’t wearing any trousers.
—Oh no, I said. —How awful! Thank goodness you realised in time and didn’t arrive at the party trouserless.
—Absolutely, he said. —That would have been very embarrassing. Would you like to dance?
—I’d love to.
We held each other close. I think it was a two-step, but where he was correct and took two steps, I was greedy and took three. If we hadn’t been holding each other tight we would have come apart. As it was our bottom halves parted then sprang back together. I suppose that’s just the way it is sometimes.
After the dance he said, —You have a unique style of dancing.
I told him I’d had a charismatic dance teacher, who I’d found both appealing and repelling at the same time.
—Ah, he said, —that explains it.
We had champagne and the bubbles went up my nose and I sneezed and sprayed snot on his jacket. Instead of saying, You filthy trollop, look what you’ve done, he laughed and said, —Oh dear, I hope you’re not the same with cocaine. We went to the bathroom and he showed me a trick where you fill an enema with champagne and squirt it up your back passage.
—It saves bubbles going up your nose, he said.
—It certainly feels funny, I replied.
We danced some more and I laughed at his jokes. The bathroom was our pied-à-terre where we became acquainted, imbibing champagne cocktails.
We were the last to leave the party. I was pissed at both ends and could hardly walk. I left my car and he drove me home. I can’t remember much of what happened that night, but in the morning my carefully selected clothes lay crumpled on the floor.
We ate toast and drank coffee. Outside it rained. Trouserless, he took my hand and asked if I'd like to get married. Joyous, with my dress round my ankles, I demurely squeaked yes.


April Foolishness: Attila the Bun and the lost paradigm by Samantha Memi














Samantha Memi offers this little literary tidbit for our month of April Foolishness.  Find more of Samantha's writing in her witty flash fiction book, Kate Moss & Other Heroines.

The piece below originally appeared in Every Day Fiction.

Attila the Bun and the lost paradigm  

by Samantha Memi

I had a meeting with the editor of a well-known magazine. She said, —I think your paradigm got stuck up your monomyth.
—Oh dear. Is that bad?
—Bad? You want to be a writer, don’t you?
—Well, I did. I’m not so sure now. I mean, if my paradigm got stuck up my monomyth, maybe I should find another career.
—Look, you write well. I mean for an amateur your writing is quite good. But…
I knew there would be a but.
—Let’s look at what you’ve written. You’ve got a cheese and tomato sandwich who wants to fuck a sausage roll. She looked at me over the top of her glasses. —Right?
—Right.
—Where’s your hook?
—What hook?
—Your hook? A mechanism to catch the reader.
—I haven’t got a hook.
She offered me a cigarette. I refused. She lit hers. Smoke came out of her nose. I thought, Dragon lady, that’s a good story, She came in the night, breathing fire.
—You must have a hook. It's imperative. What about your plot point?
—Plot point?
—You don’t know what a plot-point is?
—Um … no.
—You don’t know much about writing, do you.
I agreed I didn’t.
—Is the sausage roll vegetarian?
—Um… I'm not sure.
—If your sausage roll isn’t vegetarian what’s the attraction for the sandwich?
—Um…
She leant over her desk.
—No self-respecting cheese and tomato sandwich is going to want to fuck a sausage roll full of meat.
She blew a puff of smoke in my face and leant back in her chair. I had to admit I hadn’t thought of that. She smirked.
—You have to define your characters. If you were a cheese and tomato sandwich would you fancy a sausage roll, or would you lust after another sandwich?
That was a conundrum I hadn’t envisaged when I came for the meeting,
—You have to know your characters. What kind of cheese is it? Are they cherry tomatoes or plum tomatoes? Organic wholemeal or sliced white?
This was getting more complicated by the minute. So many decisions.
She brought out a huge hardback book, the size of a small house, and let it fall onto her desk where it shook the room so badly I wobbled on my chair.
—This is your seven point paradigm.
—My what?
—You must have a paradigm and it must have seven points. Now, who’s your main character?
—Attila the Bun.
—Who?
—Attila the Bun.
—Where does he come into it?
—At the end when Claude the sandwich is fucking Harold the sausage roll, Attila the Bun attacks and chops everyone to bits.
What’s the point of that?
—Um…  
—I mean, does this Attila represent the greed of corporate institutions trying to crush the common man.
—Um…
Why did she keep asking difficult questions? I looked out the window at the sun shiny day. Wouldn’t I rather be home with my daughter showing her how to make cup cakes. Ms. Paradigm caught my disinterest, and squinted
—Have you layered your plot?
—What with?
—Subplots.
—What are they?
She looked at me as if I were a smudge on her desk and I needed to be wiped off.
She took a deep breath. —Take this book. Read it and learn about writing.
I staggered down the stairs and into the street. The book was so heavy I had to get a taxi home. On the way I wondered whether Attila should have white icing or pink. I didn’t like sticky buns. Was my prejudice against cheap cakes corrupting my fiction? Was I biased in my writing? I wanted to be fair to all my characters. I decided to show Attila’s good side by making him the adoptive parent of a Danish pastry.


Once home I eagerly levered open the massive tome and marvelled at all the diagrams showing plot points and turning points and arcs. I wondered if the people who wrote this had written any stories, but apparently they hadn’t. Such a pity. I’m sure any stories they wrote would be the most paradigmed, monomythed, plot-pointed stories ever written.
I tried to read the first paragraph but I couldn’t understand a word of it. I realised I’d have to buy a dictionary. This writing game was going to be a lot more difficult than I’d envisaged. If I couldn’t read a book about how to write how could I learn to write.


I returned the book to its owner. —I can’t understand it, I told her.
—What a pity, she said, —I had such hopes for you. What will you do now?
—I think I’ll go back to baking.
—That’s nice.


In honour of my literary efforts I made sausage rolls and cakes.

—Mm, yummy, said my daughter as she ate Attila the Bun. Her sticky smile was worth a thousand plot points and a million editor’s smirks.

Follow Samantha Memi on her BLOG

Samantha Memi Recommends Books for Almost Grown-Up Daughters

As part of a series of recommendations from authors, we’re hearing from flash writer Samantha Memi, writer who lives in London.  (We interviewed Samantha here.)


Introduction: Every woman is a daughter; even me. The books I have chosen are for daughters becoming adults and thinking of leaving home. They are not intrinsically educational but I believe they will help young ladies find their way in life. Here’s my list of books that should be on everyone’s list of Christmas gifts for darling daughters.


To Have Not by Frances Lefkowitz
Fran’s childhood brought to you in vivid swashbuckling technicolor. 
Good for daughters who have everything, to show what it's like for those who have nothing.  


Revolution: The Year I Fell in Love and Went to Join the War by Deb Olin Unferth
Deb’s sojourn into Latin American living history. 
For the girl who wants to travel in search of revolutions.


Careers advice from an expert. A selection of excellent job opportunities; from being dinner in a posh restaurant, to working on the moon as a prostitute. 
An excellent guide for the young woman as yet undecided which profession to follow.


 





UFO in Her Eyes by Xiaolu Guo  
Insight into China’s growing pains which says so much about our individual and society’s perceptions and needs. 
For the girl who looks at the stars and sees spaceships. (also a wonderful film)







Animal Crackers by Hannah Tinti.

Fantastical stories from the zoo and beyond. Wonderful inspiration for the teenager who has abandoned her dream of working with animals. 
This book is proof, if ever it was needed, that being a vet isn’t all it's cracked up to be.




Everyone But You: Stories by Sandra Novack

Wistful stories of life and living together. 
For the girl who believes love and romance are not dead.



My Forbidden Face by Latifa.

In Afghanistan, an ordinary teenage girl, in jeans and tee shirt, hanging out with her friends, is suddenly forbidden by the Taliban to leave her house unless she covers herself with a sack. 
Ideal for the daughter who’s enraged by injustice.



A Robber in the House by Jessica Treat

Jessica’s first book and one of my perennial favourites. 
For girls coming to the realisation that what you see is not always what you get.














A Girl's Guide to Modern European Philosophy by Charlotte Greig.

Can philosophy show you how to live? 
For the daughter thinking life at university will be drunken nights and debauched love affairs.








Two Caravans (Strawberry Fields) by Marina Lewycka
A young female immigrant in Britain; her struggle to make friends, find work and fit into society. 
For the idealistic daughter wanting equality for all.

Two extra books. One from the past and one from the future. A classic work for the traditional daughter who likes her literature to have a touch of nostalgia. Plus a work which everyone should be waiting for.


Miss Pettigrew Lives for a Day by Winifred Watson
An English gem. A prim governess in a world of nightclubs, cocktails and casual sex. Good for the daughter who believes one day she will meet her Prince Charming. (avoid the Hollywood movie)

Train Shots by Vanessa Blakeslee. A belated Christmas present for the daughter who's on a gap year, traveling. To be published in March 2014, a collection of delectable goodies .  



You can find Samantha online here:


Twitter: @SamanthaMemi


Find her books:



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