Showing posts with label Dostoyevsky. Show all posts
Showing posts with label Dostoyevsky. Show all posts

My Family Was Like a Russian Novel: poems— out from Plan B

 


Excited to announce my new poetry chapbook is out from Plan B Press.  The book has been shortlisted in several competitions.  These poems emerged from my re-reading of the novels of Dostoyevsky during the lockdown— and reognizing so many of the characters in my own family.  (“The Idiot” was my dad’s favorite novel…so it figures.)

Thanks so much to the editors of Evening Street Street Review, Neologism, Harpy Hybrid, and Gyroscope who supported these poems.  Plus, thrilled to receive this praise from one of my favorite authors:  

My Family Was Like a Russian Novel lives up to both its title and readers' highest expectations in a braided collection of delicate narrative poems…At moments haunting, at moments hopeful, and with an occasional sting in the tail, Carla Sarett’s distinctive voice pays tribute to the wonders of childhood and the loss ever-lurking beyond. Her writing, at once elegy and clarion call, seeks to enchant.

—Jacob M. Appel, author of The Cynic in Extremis


You can buy it at the Plan B Bookstore (link below)

Best Reads of 2021: Part One, Fiction and Memoir

I am never current with my reading lists, since I read so many older (and occasionally out of print) novels.  2021 was no exception, as I caught up with authors I'd read ages ago and others whom wanted to re-visit or re-evaluate.

In this post, I'll cover my five favorite fiction reads (well, four fiction and one wonderful memoir) and in the next, I will list my five favorite history and non-fiction reads.  Two of the novels were published in 2020, and the other two are...way older.  

So, here goes:

1. PARAKEET by Marie Louise Bertino (Macmillan, 2020.)  This novel is a triumph of comic style.  The trope of the unwilling bride and dull groom takes on unexpected new life.  Before the wedding, the heroine meets her dead nasty, granny in the form of a parakeet who tells her to find her brother.  Naturally, she must...and finds herself in the bargain.   

2.  ATMOSPHERIC DISTURBANCES by Rivka Galchen.(Macmillan, 2020) My kind of novel, for sure-- funny and heartbreaking. A New York psychoanalyst becomes convinced that his wife has been replaced by a simalcrum: well-behaved, but not the real thing.  (A dash of Kafka, always welcome.)  Few novels have captured a troubled marriage quite so precisely. 




3. THE MURDER OF ROGER ACKROYD by Agatha Christie.  As a younger person, I'd rejected Christie as cozy fluff and settled for the many movie/TV adaptations.  But after listening to one of those useful podcasts, I tackled this "Poirot" mystery, and came away an Agatha convert. Her voice pitch perfect, and every character is a stand-out.  I listened to this in audio: because of Christie's reliance on dialogue, these mysteries are perfect for audio.

4. A CAB AT THE DOOR by V.S. Pritchett. I'm a huge fan of V.S. Pritchett's highly original short fiction, and this year, got around to his childhood memoir.  It reads like a novel with a Dickensian patchwork of towns, schools, and up-and-down fortunes.  Forced to leave school by his domineering (and erratic) father, Pritchett dives into the "trades" -- and his writing.  


5.  CRIME AND PUNISHMENT by Fyodor Dostoyevsky (translation: Constance Garnett.)  I first read this novel in college in a course on Russian Literature, and I admired it then in a college-girl way. I wanted to return to it with fresh  and (considerably) older eyes, and in the translation that Virginia Woolf had admired. So much I'd missed the first time--so I've decided to reread the other Russians that I read too early in life. More on this later.




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